Catégorie : Anglais

3. L’écosystème de Darwin

Located on the former Niel barracks on Bordeaux’s Right Bank, Darwin is a vast alternative and collaborative space. It brings together offices, coworking areas, artist studios, a skatepark, organic restaurants, and hosts numerous cultural and artistic events.

4. Le CAPC

History of the CAPC

The CAPC was founded in 1973 by Jean-Louis Froment under the name Centre d’arts plastiques contemporains (Centre for Contemporary Visual Arts). From the outset, it established itself as an avant-garde space for contemporary art, organizing its first major group exhibition, Regarder ailleurs (Looking Elsewhere), at the Palais de la Bourse. In 1975, the CAPC moved into the Entrepôt Lainé, a former colonial goods warehouse built between 1822 and 1824, located in the Chartrons district. This building, originally intended for storing goods from the colonies, is a vast stone edifice typical of 19th-century port architecture.

The venue quickly became a hub for artistic experimentation, welcoming major artists such as Gina Pane, Andy Warhol, and Christian Boltanski. In 1984, the CAPC gained official status as a Museum of Contemporary Art, marking a new stage in its development. The building was then restored between 1984 and 1990 by architects Valode and Pistre, with designer Andrée Putman contributing to the interior design. The museum was awarded the Musée de France label in 2002 and the status of Centre d’art contemporain d’intérêt national (Nationally Significant Contemporary Art Centre) in 2021.

The CAPC Today

Today, the CAPC occupies the entire Entrepôt Lainé and offers over 3,500 m² of exhibition space. It presents a rich collection of more than 1,900 works by 300 international artists, covering major movements such as Conceptual Art, Land Art, Supports/Surfaces, Arte Povera, and Figuration Libre. Among its emblematic works are installations by Sol LeWitt, Daniel Buren, Richard Long, Keith Haring, and Christian Boltanski.

The museum hosts major temporary exhibitions each year, as well as performances, concerts, conferences, and workshops. It also shares the building with the Arc en rêve architecture centre. The CAPC is renowned for its innovative programming and openness to emerging artistic scenes, while also highlighting the history of the site and its remarkable industrial architecture.

The CAPC has thus become a cultural reference point, both as a memory of Bordeaux’s port history and as a laboratory for contemporary creation, offering visitors a unique artistic and architectural experience.

The museum hosts major temporary exhibitions each year, as well as performances, concerts, conferences, and workshops. It also shares the building with the Arc en rêve architecture centre. The CAPC is renowned for its innovative programming and openness to emerging artistic scenes, while also highlighting the history of the site and its remarkable industrial architecture.

The CAPC has thus become a cultural reference point, both as a memory of Bordeaux’s port history and as a laboratory for contemporary creation, offering visitors a unique artistic and architectural experience.

5. Le Château Descas

History of Château Descas

Château Descas, located on Quai de Paludate in Bordeaux, is an emblematic monument of neo-Baroque architecture, built in 1870 by architect Alphonse Ricard for Jean Descas, a cooper who became a wine merchant and mayor of Camiran. The château was inaugurated in 1893 and originally served as a wine storehouse, with an impressive storage capacity of 1.5 million bottles and 550,000 hectolitres of wine, taking advantage of its strategic proximity to the Saint-Jean train station to facilitate wine distribution.

Its ostentatious architecture, blending inspirations from Napoleon III’s Tuileries and Roman sculptures, long stood out in the Bordeaux cityscape, then dominated by Neoclassical style.

Transformations and Uses Over Time

After serving as the Descas family’s headquarters until 1979, the château went through many incarnations:

• First as a wine storehouse, then transformed into a cabaret in the 1970s, a nightclub (notably Caesar’s, a major nightlife venue in the 2000s), and finally a restaurant-club.
• The site also housed a cocktail bar, Le Point Rouge, in its right wing, offering rare public access to the building during its long closure period.
• After ceasing its wine business in the 1970s, the château was purchased by the Merlaut family in 1979, but remained closed for many years, partly due to a legal dispute with the city, before being acquired in 2017 by a group of entrepreneurs.

Renovation and Cultural Revival

After sixteen years of closure and extensive renovations begun in 2017, Château Descas reopened in April 2024, transformed into a performance hall and theatre with 630 to 700 seats, equipped with state-of-the-art technology. The goal of this rehabilitation was to make the château a major cultural hub in Bordeaux, dedicated to live performance: concerts, theatre, dance, comedy, conferences, and private events.

The renovation was carried out with respect for the site’s history and style, with an atmosphere inspired by the Roaring Twenties: grand curved staircases, crystal chandeliers, red carpets, creating an immersive 1920s setting.

Public Opening and Programming

The official reopening took place on 3 April 2024 during a gala evening, marking the start of a new cultural era for the château.

Since then, Château Descas has been open to the public from Wednesday to Sunday and offers a diverse program of shows and events.
The venue is also available for private or corporate events.

A Symbol of Bordeaux’s Heritage

Listed as a historic monument, Château Descas embodies both Bordeaux’s wine heritage and its capacity for reinvention. Its rebirth as a cultural venue helps enrich the local cultural offering and enhance the city’s appeal. Its transformation is celebrated as a successful example of heritage reuse, blending the elegance of the past with modernity.

In short, today Château Descas is a space for encounters and artistic creation, symbolising the vitality of Bordeaux’s cultural scene, after more than a century of history and multiple transformations.

6. La Halle des Douves

History of the Halle des Douves

The Halle des Douves, located in Bordeaux’s Capucins district, is a major witness to the popular and multicultural history of the city’s south side. This neighbourhood developed as early as the Middle Ages, protected by ramparts built from 1302. After these fortifications were demolished in the 18th century, the site hosted slaughterhouses, markets, and the station, perpetuating a spirit of social and cultural diversity.

The first wooden market hall was built in 1744. In 1881, it was replaced by a metal structure, then in 1886, city architect Charles Durand erected the Halle des Douves on the site of a former water reservoir. This Baltard-style building, remarkable for its iron frame supported by 34 cast-iron columns, mainly accommodated poultry, game, and fish merchants. Its combination of glass, brick, and stone, as well as its interplay of light, make it an architectural gem.

After serving as a retail market, the hall declined in the 1970s. It became a small wholesale market managed by food-trade cooperatives, then fell into disuse. In response to its deterioration, rehabilitation projects emerged in the 2000s.

Revival and Rehabilitation

In 2008, an association movement emerged to save the hall and transform it into a community centre. After years of campaigning and work (which began in late 2012), the Halle des Douves reopened in September 2015, following renovations led by architect Julien Jouglet, at a cost of €4.5 million.

The architectural transformation is notable for its creation of a “box within a box”: an independent, transparent structure inserted into the heart of the hall. The ground floor hosts a community café and spaces for conferences, debates, and exhibitions, while the upper floors provide offices, meeting rooms for local associations, and a 220-seat performance space beneath the glass roof.

Activities Today

Today, the Halle des Douves operates as a community and neighbourhood hub, run by an association bringing together more than 70 local organisations. It offers:

• A community café and multimedia space open to all
• Meeting rooms and offices for local associations
• A performance hall hosting concerts, theatre, dance, conferences, and other cultural events
• Exhibitions, workshops, debates, and festive or solidarity events
• Solidarity initiatives and projects to preserve the district’s memory

The site is managed through shared governance between the City of Bordeaux and the Halle des Douves association, encouraging resident involvement and resource sharing.

The Halle des Douves has thus become an emblematic space for community living, civic engagement, and cultural diversity in Bordeaux, while preserving the memory and heritage of this historic district.

7. Cour Mably

Once the cloister of the Dominican convent, Cour Mably has become an exhibition hall and cultural space in the heart of the city, regularly hosting artistic and cultural events.

Construction and Origins

• Cour Mably was built between 1684 and 1707 based on plans by royal architect and engineer Pierre Duplessy-Michel, with the collaboration of Brother Jean Maupeou.
• It stands on the site of the former Jacobin convent, founded in the 13th century by the Dominicans, and is one of the two remaining cloisters from that complex.
• The building is notable for its classical-style architecture with stone arcades and a paved courtyard, and adjoins the Church of Notre-Dame, another remnant of the convent.

History and Evolution

• After the Revolution, Cour Mably underwent several changes in use:
  • In 1790, it became the headquarters of the Société des Amis de la Constitution, the political club of the Girondins.
  • From 1797 to 1885, it was used by the military supply service for storing equipment and provisions.
  • In 1886, the City of Bordeaux converted it into a municipal library, and in 1887 into a Museum of Antiquities (whose collections are now housed in the Musée d’Aquitaine).
  • In 1994, the Regional Chamber of the Court of Auditors moved into part of the building, following major restoration work.

Current Activities

• Cour Mably is a major cultural venue in Bordeaux:
  • it hosts temporary exhibitions of art (painting, sculpture, photography) and history, as well as concerts, conferences, open-air screenings, and various cultural events.
  • Its chapter house, managed by the Delegation for Artistic Outreach, is regularly used for artistic and community events.
  • Admission is generally free for certain exhibitions and ticketed for others, with opening hours varying according to the program.
  • The site is appreciated for its peaceful atmosphere and unique architectural setting, offering a haven of tranquility in the heart of the city.

Practical Information

• Address: 3 rue Mably, 33000 Bordeaux, near the Grand Théâtre and tram line B (Grand Théâtre stop).
• Cour Mably is a site worth discovering for its architectural heritage and dynamic cultural program, combining history, art, and conviviality.
• In summary, Cour Mably is a former cloister of the Jacobin convent that has become a vibrant cultural space today — a witness to Bordeaux’s history and an essential destination for lovers of heritage and culture.

In summary

Cour Mably is a former cloister of the Jacobin convent that has become a vibrant cultural space today — a witness to Bordeaux’s history and an essential destination for lovers of heritage and culture.

8. Les Vivres de l’Art

This artistic and community venue is housed in the former slaughterhouses of the Vivres de la Marine, historic 18th-century buildings. Today, it hosts artists’ studios, exhibitions, concerts, and cultural events, playing an active role in the revitalization of the port district.

History of the Vivres de l’Art in Bordeaux

Origins et construction

The Vivres de l’Art is located at the entrance of the Bacalan district, on rue Achard, within the former Vivres de la Marine complex. These buildings, listed as Historic Monuments, were originally designed for storing provisions for the Royal Navy. The site comprises three structures: the Magasins aux Vivres (of which only the façade remains) and two pavilions flanking Place Victor Raulin, which notably served as slaughterhouses.

Decline and Renaissance

Over time, the site fell into disuse, especially in the second half of the 20th century. In 2003, Bordeaux-based sculptor Jean-François Buisson obtained a temporary agreement to set up his studio in one of the pavilions, while the other remained abandoned. In 2008, the Les Vivres de l’Art project was launched, aiming to rehabilitate the entire complex and give it a new cultural and artistic purpose. The signing of a long-term lease with the City of Bordeaux in 2009 sealed the future of the site, which became a hub for contemporary creation and artistic experimentation.

Activities Today

A Transdisciplinary Artistic Hub

Today, the Vivres de l’Art is a place of artistic creation and dissemination, centered around Jean-François Buisson’s studio. The site hosts:

• Artists’ studios and residencies for creators across all disciplines
• A public art gallery presenting temporary exhibitions, sculptures, paintings, installations, and performances
• A shared garden and a public square redesigned as Open B’Art, where visitors can freely discover artworks, including J.-F. Buisson’s iconic metal sculptures
• An event space for concerts, live performances, evening events, artisan markets, forums, musical brunches, and themed festivals (such as the All(i)ez les Fiertés weekend combining DJ sets, shows, drag performances, workshops, brunches, etc.)

A Commitment to the Local Art Scene

The Les Vivres de l’Art association puts artists at the heart of its mission, fostering connections between creators and audiences, and encouraging diversity in artistic practices. It supports the sustainability of the Bordeaux art scene by providing workspace, exhibition opportunities, and visibility for both emerging and established artists.

A Vibrant and Welcoming Place

The gallery is open during the week and for special events, and the site can be rented for private or professional gatherings. The Vivres de l’Art has become an essential venue in Bordeaux’s cultural life, appreciated for its creative atmosphere, dedication to contemporary art, and friendly, inclusive spaces.

In Summary

The Vivres de l’Art embodies the successful transformation of historic heritage into a living laboratory of artistic creation, blending exhibitions, performances, workshops, festive events, and encounters between artists and residents. This unique venue, at the crossroads of history and modernity, helps energize the Bacalan district and Bordeaux’s cultural scene.

9. Musée des Arts décoratifs et du Design (madd-bordeaux)

The museum occupies the Hôtel de Lalande, an 18th-century townhouse, but it has also renovated an adjacent former prison to host contemporary design exhibitions and organize educational workshops.

Origins and Construction

The museum is housed in the Hôtel de Lalande, a townhouse built between 1775 and 1779 for Pierre de Raymond de Lalande, a counselor at the Bordeaux parliament. In 1880, the city purchased the residence and installed police services there, constructing a municipal prison at the rear in place of the garden. This unique architectural configuration thus combines an 18th-century townhouse with a 19th-century former prison, both of which have been listed as historic monuments since 2018.

Museum development

• 1924: Creation of a Museum of Ancient Art in the Hôtel de Lalande, offering a reconstruction of the art of living at the end of the 18th century.
• 1955: The museum becomes the Museum of Decorative Arts, expanding its collections to include all applied arts from the Middle Ages to the late 18th century.
• 1984: Renovation to evoke a wealthy aristocratic residence from Bordeaux’s Enlightenment era; the former prison is used for storage, and the outbuildings house the Jeanvrot collection and spaces for temporary exhibitions.
• 2013: The museum adopts its current name, the Museum of Decorative Arts and Design (madd-bordeaux), affirming its mission to promote contemporary design in France.

Activities and offerings today

Collections and Exhibitions

The madd-bordeaux presents collections covering French decorative arts, particularly those from Bordeaux, from the 18th century to the present day, with a strong emphasis on contemporary design. The museum features furniture, ceramics, glassware, silverware, musical instruments, tableware, everyday objects, and more. The museum regularly updates the display of its design collections and offers temporary exhibitions, workshops, talks, and conferences.

Renovation and Transformation

The museum is currently closed for major renovation and modernization work, scheduled to continue until 2026. This project will bring together the two buildings, create a new visitor route, modernize the spaces, and meet the ecological and energy requirements of a 21st-century museum. Upon reopening, all areas will be accessible to people with reduced mobility.

Off-site Activities

During its closure, the museum continues to showcase its collections through off-site exhibitions, notably at the CAPC, and offers guided tours, meetings, and panel discussions.

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In summary

The madd-bordeaux, heir to the Museum of Ancient Art founded in 1924, occupies a unique architectural complex combining an 18th-century townhouse and a 19th-century prison. Since 2013, it has established itself as a major player in design in France, while also highlighting the heritage of Bordeaux’s decorative arts. Currently undergoing a major transformation, the museum is preparing for an ambitious reopening in 2026, with an enriched program and modernized spaces.